The Loft (2015)

This review was originally posted on Swampflix.com on March 9, 2018. The rating was 2.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

Man, are we still making erotic thrillers? Is there even a place for them in this post-[insert your porn aggregator of choice] world anymore? I suppose we still are making them this decade, given that Adulterers was released in 2016, one year after today’s stinker, The Loft.

Based on a 2008 Belgian film of the same name and featuring most of the same creative crew (director Erik Van Looy and writer Bart De Pauw, who is solely credited on the original film and is one of two credited writers here), The Loft is about five men who use a single loft apartment to cheat on their wives. Vincent (Karl Urban) is an architect who retained the apartment in one of the buildings he designed for him and his buddies to have their sexcapades: possible closet case Luke (Wentworth Miller), whose wife requires constant attention due to her diabetes; Marty (Eric Stonestreet), who channels all of his pent up, frustrated heterosexual energy from having to play broad gay stereotype Cam on Modern Family for the past decade into a disgusting misogynist pig; Chris (James Marsden), a successful psychiatrist who is the most reluctant to participate in this adulterous venture; and Philip Williams (Matthias Schoenaerts), Chris’s half-brother, a cokehead whose new bride is the daughter of a wealthy magnate. One of these names is not (recognizable) like the others; Schoenaerts is apparently reprising his role of Filip Willems from the original film.

Continue reading “The Loft (2015)”

Advertisements

True Stories (1986)

This review was originally posted on Swampflix.com on March 4, 2018. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

neardarkThe RedLetterMedia boys launched a new series on their youtube channel last year called Re:View, in which they discuss films that hold a special significance for them. One of the episodes I had overlooked on its original upload was their discussion of True Stories, David Byrne’s 1986 film that he wrote, produced, and directed (unlike Adulterers, this turned out to be a good thing) as well as starred in. It’s a forgotten gem, even among Talking Heads and David Byrne fans, despite being the origin of one of their hits, “Wild Wild Life,” as well as being the first major role for John Goodman and also featuring Spalding Gray and Swoosie Kurtz. I was instantly taken with the idea and searched for the movie online in the hopes of finding a cheap copy of the out of print DVD, only to discover that the Alamo Drafthouse was going to be screening it only a couple of weeks later, as part of its Essential Texas Film series. I bought tickets faster than you can say “this is not my beautiful wife.”

Continue reading “True Stories (1986)”

Black Panther (2018)

This review was originally posted on Swampflix.com on March 2, 2018. The rating was 5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

EPSON MFP imageOh man oh man oh man, the magic duo of people’s sexiest man alive Michael B. Jordan (not to be confused with People‘s Sexiest[?] Man Alive[?] Blake Shelton[?]) and Ryan Coogler has done it againBlack Panther is as fantastic as we were all hoping, and I’m super excited that Marvel Studios finally started using the privilege of being this generation’s premiere film franchise (for better or worse) to finally push forward with an explicit intersectional, anti-colonialism, and afro-positive message. I’m here for this, and you should be too.

Continue reading “Black Panther (2018)”

Annihilation (2018)

This review was originally posted on Swampflix.com on February 28, 2018. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

EPSON MFP imageMore than once in the past week, my roommate has asked me what I was going to be doing this past weekend, and I said I was going to see Annihilation, and each time he asked “What’s that?”, to which I replied “The adaptation of the book that your sister gave me for Christmas in 2016.” Which she did! And I loved it! So much so that I couldn’t stop talking about it, and another friend got me the follow up novel Authority for my birthday a few months later, and I bought my own copy of Acceptance almost immediately after and finished that too. I was so excited when I heard that Alex Garland of Ex Machina fame would be directing the film of the book, and that the person I cast in my head as the biologist, Natalie Portman, would be playing the lead. Of course, there are valid concerns about the whitewashing of her character given that she’s part Asian (no specific nation of origin is given), but it’s also a piece of information that the reader doesn’t get until the second book, which had not been published at the time that Garland read Annihilation and started working on his script. If you’re curious, I imagined Angela Bassett as the psychologist, Michelle Rodriguez as the surveyor (a character who’s aggression and distrust was put on the paramedic character in the film but had a role on the team that was more like Novotny’s character’s) and Battlestar Galactica‘s Grace Park as the anthropologist (a character that is, for all intents and purposes, absent from the film). Those absences, changes, and additions should give you some indication of how far this film strays from Jeff VanderMeer’s novel, but does that matter?

Continue reading “Annihilation (2018)”

El Bar (2017)

This review was originally posted on Swampflix.com on February 23, 2018. The rating was 3.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

EPSON MFP imageNetflix categorizes 2017’s El Bar (The Bar, although The Cafe would be a more accurate title) as an “International Comedy.” From Spain, the first word in that descriptor is accurate, but boy is the second part debatable. Not that this means the movie is bad, nor is it without its comedic moments, but I’m hesitant to say that a film that uses the set-up of a public shooting, and directly references the Paris shooting in dialogue when characters are trying to figure out what’s happening, could ever really be considered a “comedy.”

Continue reading “El Bar (2017)”

Adulterers (2015)

This review was originally posted on Swampflix.com on February 18, 2018. The rating was 1.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

EPSON MFP image

For a time before I moved to Austin three years ago, I flirted with the idea of moving to L.A. and working as a script reader, as a dear friend had for a few years. She gave me a few different scripts to work on doing standard format reader reviews for, and while some of them were quite good (Melisa Wallack’s Manuscript, which ended up on The Black List, was my favorite of these), there were also quite a few that weren’t very good at all. The one that sticks in my mind the most was one entitled Your Bridesmaid is a Bitch, which has an IMDb page that lists it as “in development,” but doesn’t appear to have been updated since 2009 or 2010. I read enough short stories and personal essays in creative writing classes and discussion groups in both my undergrad and grad school that I developed a kind of sixth sense for when something was what could charitably called “revenge writing.” It’s basically when someone (invariably a man, almost always straight) writes out his one-sided feelings about the dissolution of a relationship, recently or distantly, painting himself as the put-upon everyman whose life is disrupted by the she-demon who broke his heart. That Guy in Your MFA didn’t emerge from a vacuum, is what I’m saying, and there’s a universality to the personality that those tweets are mocking which speaks volumes about society, literature culture, the writing world, and college campuses. Even without the laughable “Based on a True Story” caption that opens the film, or the credit that shows that the film was written, directed, and produced by one person (me, out loud, when I saw that on screen: “Oh boy”), I can smell that same malodorous desperation and entitlement all over Adulterers, and boy is it not in service of the film as a whole. If Your Bridesmaid is a Bitch is revenge porn, this is revenge porn by proxy.

Spoilers to follow for a film you should just skip.

Continue reading “Adulterers (2015)”

Swampflix Movie of the Month: Hard Boiled (1992)

EPSON MFP imageThe post from which this was excerpted was originally published on Swampflix.com as part of that site’s “Movie of the Month” feature, in which one contributor makes the rest of the crew watch a movie they’ve never seen before, and the staff discusses it afterwards. For February 2018, Alli made me, Britnee, and Brandon watch Hard Boiled (1992).

Boomer, what is your take on the film’s ending? Did Alan really die? Or did he survive the gunshot?

Boomer: I like that this is left intentionally vague but tempered by heavy allegorical imagery that permeates the film’s final scenes. We see Da Chief setting Alan’s file aflame in his office, just as we saw the docket for the previous killed-in-action undercover officer burned, a kind of memorial for a fallen friend. I don’t think that Alan was wearing a vest, though. We did see what contemporary Kevlar vests looked like in the final battle when the more heavily-armed police forces arrive at the hospital; they turn these armaments into makeshift baskets for some of the last few infants left behind in the maternity ward, and we see these same officers get eaten up by bullets shortly thereafter. As much as I want the ending to mean that our handsome hero Alan is alive, I get the sense that the interpretive element of the presentation is not as ambiguous as it was in, for instance, The Psychic. Per his conversation with Tequila, each of Alan’s origami cranes represents a man that he had to kill, both in the line of duty and to maintain his cover. While these deaths were all of evil men engaged in the gun trade, they weigh heavily on his conscience. Alan also mentions that Hawaii is a place he has never seen, a kind of paradise to which he’s hoping to achieve entry by passing through the crucible of his assignment. As he drops each paper bird into the ocean at the end, it is as if Alan is letting the sins he committed fall away from him into the ether as he sails toward whatever lies next for him.

We can assume that the film has a Taoist perspective, given that Tequila makes his entreaty for reconciliation with Teresa and a new apartment to a shrine of Guan Yu. Even with that in mind, the various different sects of Taoism are notoriously disunified in their different perspectives on death and the afterlife, so even thoroughly researching the topic doesn’t yield particularly useful information. Although Alan would be traveling eastward to reach Hawaii from China (in fact, he’d be going almost due east, given that there’s barely one degree of latitude difference between Hong Kong and Honolulu), a cursory internet search hasn’t helped me locate a specific correlation between eastward travel and enlightenment or the afterlife in Taoism. Religions informed by Christianity do hold the east—the cardinal direction, not the region—to have religious significance, however. Most cathedrals are cruciform in construction (see the Pisa Cathedral for a good example), with the “upper” part of the cross lying on the eastern end so that the congregation faces eastward, in the presumed direction of Christ (“For as the lightning cometh out of the east, and shineth even unto the west; so shall also the coming of the Son of man be.” -Matthew 24:27, KJV). It may just be my Western biases slipping through, but it feels like there’s a significance to Alan traveling east in (presumed) death, but I could be reading too much into it.

On the other hand, there is ample evidence that Alan could have survived. He’s definitely made of sterner stuff than other men, given that he takes a glancing shotgun blast to the back earlier in the film and survives. He also already survived a gunshot wound to the abdomen, as we see him tending the wound in his undershirt aboard the houseboat. We also know that he has implausibly good aim, as shown when he was able to slip a lighter into Fox’s pocket and then shoot him in such a way that the bullet was deflected from killing him by that same tiny piece of metal. Like I said: it’s up to one’s personal dissection, and my personal affection for Alan (and Tony Leung) means that I want the final shot of him embracing a new day to be a real event and not metaphorical, but the interpretation that he is dead is a much more rich vein, at least in my opinion.

Alli, you mentioned that you were a fan of Mad Dog, and I too liked that his character was multidimensional, especially in comparison to some of our “good” characters. Which characters, if any, do you feel simply don’t work (or pale in comparison to Mad Dog), and why? What would you improve about them to make them more lifelike or believable?

Read the full discussion on Swampflix.