This was originally posted on Swampflix.com as part of that site’s “Movie of the Month” feature, in which one contributor makes the rest of the crew watch a movie they’ve never seen before, and the staff discusses it afterwards. This article was published as a follow-up to the discussion of MotM What’s Up, Doc? on March 20, 2017.
There’s a fun section in Jason Zinoman’s narrative history of the creation of modern horror Shock Value that discusses the creation of Peter Bogdanovich’s first film, Targets. After working for years as the film programmer for MoMA and doing some AD/second unit work, Bogdanovich met notorious producer/director Roger Corman at a premiere, and Corman offered the younger man the opportunity to direct a movie, with a few caveats. First, the film had to star Boris Karloff. Second, Bogdanovich had to include a fair amount of footage from another film project, The Terror, which also starred Karloff; further, Bogdanovich would only have Karloff for two more days of shooting, which he owed Corman for contractual reasons. Finally, Bogdanovich would only have ten more days to film the rest of the movie. When he scoffed, Corman supposedly said “I’ve shot whole pictures in two days!” If you’ve ever seen a Corman movie, you know that’s probably not hyperbole, and is in fact equal parts boast and threat.
Continue reading “Movie of the Month: Bogdanovich’s Targets (1968) as the Inverse of What’s Up, Doc? (1972)”
This review was originally posted on Swampflix.com on March 16, 2017. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.
It’s an oft-cited criticism among professional reviewers, the laity, and everyone in between (like me and probably you) that there are too few original ideas being produced in film, with various thinkpieces arguing the relative merits of remakes (like the upcoming Beauty and the Beast), reboots (like the upcoming The Mummy), reimaginings (like the upcoming IT), and sequels (of which there will be at least a dozen this year, but let’s just put a pin in Transformers: The Last Knight as the one that’s least likely to have any objective value). In the fight between the pedantic “You know that Wizard of Oz and The Maltese Falcon were remakes, don’t you?” camp versus the equally annoying “Everything’s a remake these days!” camp, there’s not a lot of room for middle ground. Although we’re no longer in the heyday of remakes that we were ten years ago (for instance, Hollywood’s top performers in 2005 had a high percentage of remakes, 17%, which fell to 5% by 2014), the rise of narratively homogeneous “cinematic universes,” the tendency on the part of studios to fund financially safe sequels, and the widespread proliferation of lay criticism on YouTube and beyond means that you’re no less likely to hear kvetching about unoriginality today than you were in the summer of 2006; in fact, you probably hear it more often.
Continue reading “Train to Busan (Busanhaeng, 2016)”
This review was originally posted on Swampflix.com on March 8, 2017. The rating was 4/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.
I don’t like Wolverine.
This has been a topic of much contention with my fellow comic book nerds for a long time, but there are a host of reasons why he doesn’t appeal to me as a character. First, it’s never made much sense to me that Professor X has a spot on his peace-oriented team for a man whose powers and enhancements make him a perfect assassin or soldier. I’ve also never seen myself reflected in Wolverine the way that I see aspects of myself in Kitty Pryde, Emma Frost (under Joss Whedon’s pen), and (especially) Beast; nor do I see something I could aspire to be in Wolverine the way that I did and do in Storm’s serenity or Nightcrawler’s happiness in spite of a lifetime of abuse. I certainly understand the allure of a character without a past and the desire for redemption (although the importance of this desire was intermittent), but Wolverine never worked for me as a character.
Continue reading “Logan (2017)”
The post from which this was excerpted was originally published on Swampflix.com as part of that site’s “Movie of the Month” feature, in which one contributor makes the rest of the crew watch a movie they’ve never seen before, and the staff discusses it afterwards. For March 2017, Britnee made me, Alli, and Brandon watch What’s Up, Doc? (1972).
I didn’t realize that the audience was supposed to see Eunice as unattractive until the end, when the Judge responded to Eunice’s complaints that she had been inappropriately touched by the jewel fences with “That’s . . . unbelievable.” Because, I mean, come on, [Madeline] Khan’s a knock-out. That unusual perception is not unique to her character, however, as Ryan O’Neal is probably the most tan, studly, and barrel-chested hunk of man to ever play a milquetoast Iowan academic.
Continue reading “Movie of the Month: What’s Up, Doc? (1972)”
This review was originally posted on Swampflix.com on February 25, 2017. The rating was 4/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.
When I went over to a friend’s house to watch a movie, he presented me with several recent rentals and let me pick one. “What’s this one?” “An early anti-western.” “And this one?” “Oh, that one’s really good, but I need to wait to watch that one with my girlfriend.” “What’s The Skin I Live In?” “It’s a horror film by Pedro Almodóvar.” So in.
Continue reading “The Skin I Live In (La piel que habito, 2011)”
This review was originally posted on Swampflix.com on February 15, 2017. The rating was 3/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.
After a few decades in which the film fell into the public domain as a recobbled, poorly transferred, discolored, nigh-unwatchable piece of garbage, a restoration and Blu-ray release from Severin Films means a whole new generation can see Cathy’s Curse (aka Cauchemars, literally “nightmares,” the film’s original/French title) in all of its… glory?
Continue reading “Cathy’s Curse (1977)”
This was originally posted on Swampflix.com as part of that site’s “Movie of the Month” feature, in which one contributor makes the rest of the crew watch a movie they’ve never seen before, and the staff discusses it afterwards. This article was published as a follow-up to the discussion of MotM Society on February 9, 2017.
When I first set out to track down a copy of Society, I turned to my old pal, the Vulcan Video catalog search, which showed that there was a copy at the location nearest me. When I went to locate it, however, it was nowhere to be found on the shelf, and the kind woman working the counter that day noted that their copy had actually been sold several years back and that the catalog listing was an oversight (an unusual lapse for the fine folk of Vulcan). We did eventually track down a copy of the film in their stacks, one of those early double-sided DVDs with Society on one side and Spontaneous Combustion on the reverse. I was pretty pleased by this, because a double feature usually means an easy instant follow up article (just add water).
I was wrong. I was so, so wrong. There’s nothing easy about Spontaneous Combustion.
Continue reading “Movie of the Month: Double Feature Disaster: Spontaneous Combustion (1990) & Society (1992)”