Spider-Man: Homecoming (2017)

This review was originally posted on Swampflix.com on July 12, 2017. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

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Spider-Man: Homecoming is a delightful movie. Featuring baby-faced Brit Tom Holland reprising his role from Captain America: Civil Waras the eponymous arachno-person, the film has already met with widespread approval from most critics and fans. It’s not difficult to see why; even when playing an exasperatingly ebullient modern teenager complete with inappropriately timed self-videoing, Holland has a magnetic screen presence and brings a lot of charm to the role, not to mention that he actually looks like a teenager and not just Tobey Maguire in his late twenties wearing a backpack. This newfound verisimilitude when it comes to casting young people as young characters is reflected in the rest of the cast who portray Parker’s classmates, including Laura Harrier (27 but looks younger) as Peter’s love interest Liz, Jacob Batalon as his best friend and confidante Ned, Grand Budapest Hotel‘s Tony Revolori as bully Flash Thompson, and Disney debutante Zendaya as Michelle alongside others.

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Agents of S.W.A.M.P.F.L.I.X.: Captain America 3 – Civil War (2016)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on June 2, 2016.

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Boomer: After the success of Winter Soldier, the Russo brothers were invited back to direct the next Captain America sequel, confirming their involvement in March of 2014. Christopher Markus and Stephen McFeely, who had previously drafted the scripts for both First Avenger and Thor 2 in addition to Winter Soldier, presented the Russos with the script for Civil War around the same time. Early reports featured the production team stating that they saw the film as more of a direct follow up to Winter Soldier, and that the intent was to further pursue the Bucky/Steve relationship in this flick.

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Captain America: Civil War (2016)

This review was originally posted on Swampflix.com on May 15, 2016. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

Captain America: Civil War was a lot of fun! I went into the film expecting it to be a bit of a letdown after how much I loved EPSON MFP imageWinter Soldier, and while it’s not as good as the last Cap flick, it’s certainly worthy of the positive critical reception that it has been garnering. I expected that there would be more of a backlash against it given that the negative reception of Batman v Superman was characterized by proponents of that film as being the result of a pro-Marvel bias among the blogosphere. Instead, the film’s 90% positive professional critic score and 92% audience score on Rotten Tomatoes reflects a generally positive reaction, and the film deserves it. While there are some detractors who are critical of the film, citing the distinct division between plot lines (one focused on the titular conflict between the different members of the Avengers and one which is devoted to following up on the plotline surrounding the Winter Soldier and his past), I’m in agreement with the general public in that I found this film a worthy successor and a great introduction to the new direction of the MCU as Phase Three revs its engine.

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Agents of S.W.A.M.P.F.L.I.X.: Avengers – Age of Ultron (2015)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on April 18, 2016.

EPSON MFP imageBoomer: Do you need a history of the Avengers sequel here? The first movie cast such a shadow that it was impossible to escape this film, even if you wanted to (and most people didn’t). Even when it was unclear whether or not director Joss Whedon would return to helm the second film, there were no other potential directors announced before he eventually acquiesced. By the time this movie came out, virtually every blog that is created and consumed by humans had talked about the upcoming film in extreme detail. Next time, when we talk about Ant-Man, there’ll be a lot of production history to discuss, as that film had a long and troubled road from inception to release, but not Age of Ultron. Let’s just get to it, shall we?

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Agents of S.W.A.M.P.F.L.I.X.: Iron Man 3 (2013)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on February 7, 2016.

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Boomer: In 2014, director Jon Favreau released the indie critical darling Chef, in which he appeared as a man who tired of the world of elite haute cuisine that values style over substance, a man who forsakes that world to fix up an old food truck and take a more “back to basics” approach to food. As has been pointed out by other critics, this can be seen as a metaphor for Favreau’s fatigue with the Iron Man franchise, as he bowed out of directing the third film, although he reprised his role as Hogan (if spending 80% of the film comatose can be considered a reprisal). Instead, the reins were handed over to Shane Black, whose resume as a writer includes Lethal Weapon, Monster Squad, and The Long Kiss Goodnight, and as such was already well-regarded before he began directing with 2005’s Kiss Kiss Bang Bang.

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Agents of S.W.A.M.P.F.L.I.X.: The Avengers (2012)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on January 25, 2016.

EPSON MFP imageBoomer: The Avengers was always one of Kevin Feige’s goals. Audacious and ambitious, when Feige started conceptualizing the greater Marvel Cinematic Universe his intention was to create a crossover film that united characters originally featured in individual films, mirroring the character/team dichotomy that permeates superhero comics. As such, a great deal of the history of the Avengers film project is really the history of the MCU up to this point, which has been discussed in our previous posts.

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Agents of S.W.A.M.P.F.L.I.X.: Iron Man 2 (2010)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on December 21, 2015.

EPSON MFP imageBoomer: After the somewhat surprising success of Iron Man and the mostly tepid response to The Incredible Hulk, Marvel Studios allowed their product line to lie fallow for 2009. Instead, they spent most of their behind the scenes time conceptualizing and drafting the growing interconnected universe and putting forth just enough information to whet the appetites of the general public. Iron Man 2 in 2010! Thor and Captain America (which would later have the silly, unwieldy subtitle The First Avenger added to it) in 2011! Avengers in 2012! Iron Man 2 was heavily marketed in the U.S., but there was a distinct decline in the attention from film and comic trade papers compared to the whirlwind of publicity that surrounded the first picture. If anything, most of the hard copy from trade journals was less about the film itself and more about notable lunatic Terrence Howard’s exit and replacement by prestige performer Don Cheadle. Howard has claimed on separate occasions that he left the film of his own volition and that he was let go, the former statement having only recently become part of his repertoire of stories. Lately, his claim is that his departure was due to a vast pay discrepancy between himself and Robert Downey, Jr., but Howard is also infamously difficult to work with—just look no further than the madness that was his September Rolling Stone interview for proof. Imagine what it must be like to work with someone whose conceptualization of mathematics makes Time Cube seem straightforward in comparison. I would prefer working with class act Don Cheadle, too.

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