Agents of S.W.A.M.P.F.L.I.X.: Captain America 3 – Civil War (2016)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on June 2, 2016.

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Boomer: After the success of Winter Soldier, the Russo brothers were invited back to direct the next Captain America sequel, confirming their involvement in March of 2014. Christopher Markus and Stephen McFeely, who had previously drafted the scripts for both First Avenger and Thor 2 in addition to Winter Soldier, presented the Russos with the script for Civil War around the same time. Early reports featured the production team stating that they saw the film as more of a direct follow up to Winter Soldier, and that the intent was to further pursue the Bucky/Steve relationship in this flick.

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Captain America: Civil War (2016)

This review was originally posted on Swampflix.com on May 15, 2016. The rating was 4.5/5 Stars. Image courtesy of Swampflix Editor Brandon Ledet.

Captain America: Civil War was a lot of fun! I went into the film expecting it to be a bit of a letdown after how much I loved EPSON MFP imageWinter Soldier, and while it’s not as good as the last Cap flick, it’s certainly worthy of the positive critical reception that it has been garnering. I expected that there would be more of a backlash against it given that the negative reception of Batman v Superman was characterized by proponents of that film as being the result of a pro-Marvel bias among the blogosphere. Instead, the film’s 90% positive professional critic score and 92% audience score on Rotten Tomatoes reflects a generally positive reaction, and the film deserves it. While there are some detractors who are critical of the film, citing the distinct division between plot lines (one focused on the titular conflict between the different members of the Avengers and one which is devoted to following up on the plotline surrounding the Winter Soldier and his past), I’m in agreement with the general public in that I found this film a worthy successor and a great introduction to the new direction of the MCU as Phase Three revs its engine.

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Agents of S.W.A.M.P.F.L.I.X.: Captain America 2 – The Winter Soldier (2014)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on March 7, 2016.

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Boomer: Captain America: The Winter Soldier was very nearly a different kind of movie. Christopher Markus & Stephen McFeely announced before the premier of the first Cap that they had already been hired to draft the sequel’s script, and there were three choices for direction: George Nolfi, F. Gary Gray, and sibling directorial team Anthony and Joseph Russo. Gray would certainly have been the most interesting choice, as he would have been the first person of color to helm an MCU film and have helped with Marvel’s ongoing diversity problem (as demonstrated just in the past week by the announcement that Danny Rand would be portrayed in the upcoming Netflix Iron Fist series by white Game of Thrones alum Finn Jones). To date, only two films based on Marvel properties have been directed by non-white directors, Hulk (Ang Lee) and Blade II (Guillermo del Toro), and only one has been directed by a woman, Lexi Alexander’s Punisher: War Zone. At present, Black Panther is set to break this white streak with director Ryan Coogler (Fruitvale Station, Creed), although the revolving door of directors (with Selma’s Ava Duvernay and Gray himself having been attached to production at different points) makes one wonder if there will be any more upsets between now and when production actually begins. Ultimately, Gray passed on the project in order to direct last year’s Straight Outta Compton, and the reins to the film were handed over to the Russo brothers, best known for their work on the early (good) years of NBC’s Community.

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Agents of S.W.A.M.P.F.L.I.X.: Captain America – The First Avenger (2011)

In the words of Swampflix editor Brandon Ledet: “Superhero Watching: Alternating Marvel Perspectives, Fresh and Longterm, Ignoring X-Men, or S.W.A.M.P.F.L.I.X., is a feature in which Boomer (who reads superhero comics and is well versed in the MCU) & Brandon (who reads alternative comics and has thus far seen less than 25% of the MCU’s output) revisit the films that make up the Marvel Cinematic Universe from the perspective of someone who knows what they’re talking about and someone who doesn’t have the slightest clue.” This article was first published on January 16, 2016.

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Boomer: For me, the key difference between DC and Marvel as companies is that Marvel has always been better at creating characters that are down-­to-­earth and grounded, while DC’s characters are traditionally larger than life and iconic in their titanic stature. Spider-­Man and the X­-Men are relatable characters; Superman and Wonder Woman are inspirational ones. This isn’t absolutely true across the board, and when discussing characters that have existed for nearly a century under the pen of dozens (if not hundreds) of different writers over the decades, there are bound to be many counter-arguments to this admittedly reductive distinction. However, dissecting the different companies’ primary characteristics and output, that difference is the major division between the two. In this sense, Captain America, with his concrete­-if­-antiquated moral code, larger-­than­-life prestige, and well defined ethical concepts, is the Marvel character most like a DC hero, and this, combined with the built-­in fandom that comes from such an outspokenly and inherently patriotic character, has made Cap an enduringly captivating dramatis persona. Despite being only one of many, many jingoistic characters introduced in the build up to (and following) WWII, Captain America continues to be a fan favorite, and it’s no surprise that Marvel has gone to his well many times in their creation of non­-graphic media.

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