Note: The following is an essay originally written for Professor Niyi Osundare’s Poetry as a Genre class during the Fall 2010 semester at the University of New Orleans. Date of creation: November 22, 2010. If referring to this essay academically, please remember to make the appropriate citations so as to avoid running afoul of your institution’s plagiarism policy.
To understand the extent of the act of iconoclasm in the work of William Wordsworth and Samuel Coleridge, and the far reaching affects upon the Romantic Movement, affecting literary traditions from that period forward, one must first take into consideration other factors. Firstly, the intricate link between the earliest English literature and the English cultural mindset cannot be ignored, as anything that comments on the tradition is simultaneously making a commentary on the society from which it originates, and, in this case, provided a strong influence on this infant society. Further, oral literature, inherent in its nature as a device of transmission, creates a genealogy of literature, so much so that the lineage of critical thought can almost be traced backwards along a trail of mentors and disciples, exemplified by the parallels in the relationships between Jonathan Swift and John Dryden, Coleridge and Wordsworth, and many others.